Monthly Archives: February 2015

Relevance of “Selling Out”

re·port  (rəˈpôrt) verb

1.give a spoken or written account of something that one has observed, heard, done, or investigated.
“the representative reported a decline in milk and meat production”
synonyms: announce, describe, give an account of, detail, outline, communicate, divulge, disclose, reveal, make public, publish, broadcast, proclaim, publicize
“the government reported a fall in inflation”

 

Dictionaries will tell you that by labeling herself as a reporter, Joan Didion is correct.  She meets the standards because she uses real facts and real events when she describes the way people in the west coast were living and thinking in the 60s.  But just because Didion can technically be defined as a reporter, does that necesarily mean it’s the most accurate way to characterize her writing?  When we think of a report, we tend to think of things that we would normally hope to be unbiased sources of information; thorough analyzations of factual occurrences, provided to us with minimal disclosure.  I’m pretty sure that doesn’t exactly line up with whatever Joan Didion does. Continue reading

Is Selling Out Really So Bad?

My kneejerk reaction to the statement “writers are always selling someone out” was based within the confines of John Wayne: A Love Song. In such an essay Didion sells herself out first by revealing how she has lived so long in awe of this man, but in the second part of the essay she breaks the cult of personality surrounding him, which would be considered by most to be not doing John Wayne a solid in the presentation of a now ill and cancer stricken Duke. Didion betrays the popular idea of Wayne in simply her humanization of him/added complexity—she doesn’t destroy, buy offers a grounded lens. Didion’s feelings that she is “selling out” by providing her own representation is complex; the selling out does not entail what most of us would consider—like a cheating husband, or not filing taxes—Didion’s selling out is mostly concerned with attention and involving herself in a subject’s life. A need to feel invisible is vital to Didion’s level of ability: ““My only advantage as a reporter is that I am so physically small, so temperamentally unobtrusive, and so neurotically inarticulate that people tend to forget that my presence runs counter to their best interests. And it always does”—her “advantage” allows her to see how people really are and in turn break preconceived notions of self or public perception.

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In the preface Joan Didion almost describes herself as a deceiving person, and implies that people that she is interviewing occasionally confide in her but she wants to be remembered as a reporter, which often means the person being interviewed is going to be shed in a negative light.Apparently Joan Didion is perpetually selling somebody out. I find this to simply not be the case. Yes, many could argue that she does not reserve judgement in a majority of her essays but there are a few examples which prove this wrong.

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Be Careful of What You Say

It is interesting that Joan Didion acknowledged her style of story divulgence in the preface of her collection of essays, Slouching Towards Bethlehem. It was a move that revealed a self-awareness of her own tactful and un-serendipitous methods that make a difference in the field of literary journalism. Her choice to start the collection this way cemented her position as a literary investigative journalist, it was her way of saying “this is what I do and this is why it works”.

It has been said that there are no friends, only interests– “You have the right to remain silent” and probably should around Joan Didion. She’s almost like a cop, she comes of as a harmless friendly figure that embodies the feeling of safety while she’s actually collecting a pile of evidence that grows with each word that is said… She’ll drop acid with you for the sake of investigative journalism Continue reading

Who is really being sold out in the end?

I feel as though Didion, in describing herself in the preface, is in a way preparing the reader for the worst. That’s not to say she doesn’t have faith in her writing abilities (though all writers surely have some doubts), but she’s letting them know what the truth of it is. She says how she uses her small size and her mannerisms to her advantage. It’s as though she’s saying, “here’s what I do. I’m not proud of it, but I’m not ashamed of it either.” She knows that she seems rather non-threatening, and I feel as though she may feel a little guilty about that.

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In Slouching Towards Bethlehem, Joan Didion‘s nonfictional profiles often serve as a commentary on the American dream in regards to California culture. She develops this complex idea by examining the personal, social, and/or political landscape of Carmel Valley and the “underside of Hollywood,” for instance, and pays great attention to the noteworthy figures who shaped the ideologies of these cultural hotspots. In her essays, “Where the Kissing Never Stops” and “7000 Romaine, Los Angeles 28,” she analyzes, respectively, Joan Baez and Howard Hughes, and contemplates their motivations and idiosyncrasies as people, as well as how their personality traits historically connected to larger idealistic undertones in California at the time. The two were radically different people when focused upon, but a vital parallel between the two remains: they both were eager to express their true-blue American freedom in all its varying forms. Continue reading

#sellingoutortellingtruth?

I find it right for Didion to deny that she is a “camera eye”. To me, she is more like Instagram. In fact, all authors of creative nonfiction are in one way or another photo-editing apps. The camera can fix its lens upon the same scene, yet by adding a filter, adjusting colors and contrast, blurring and sharpening certain parts of the photo, maybe even cropping out some parts…the same original photo suddenly has a ton of different possible outcomes, leading the viewer to interpret the photo in vastly different ways.The writer edits the photo according to what they believe and the message they desire to convey. Literary devices act as the different functions in the application; irony might be Brannan, metaphors might be Mayfair, the hashtags and heightened contrast and saturation may act as more obvious hints to Didion’s main thoughts about her topic of writing…and she shares her view with the world by “posting” it.

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